![]() ![]() ![]() A 2003 poll of writers ranked Doolittle as the second-greatest album of all time, placed the album at 227 on its list of ' and ranked it as the fourth best album of the 80s. The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. ![]() Albini's producer's fee was US$1,500, and he received no royalties Albini has a practice of refusing royalties from records he produces, viewing it as 'an insult to the band.' 4AD allocated the band a budget of US$10,000. This created tension between Smith and Kolderie, and Kolderie later remarked that 'Gary almost killed me for the suggestion, he thought I was scheming to get the project.' Recording and production Pixies entered Q Division in December 1987, booking ten working days of studio time in which to record the album. Albini said that, 'the band and I were in the studio the next day.' Paul Kolderie, who had worked at Fort Apache Studios with Smith, recommended the Boston recording studio to Albini. Having sent a pre-release tape of Come On Pilgrim to Albini, Pixies' manager, Ken Goes, invited him to a Boston dinner party at drummer 's house a few weeks after Come On Pilgrim's release.Albini met the band that evening, and they discussed how the next record should sound and be recorded. ![]()
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